“When Kryptic Minds first came out with music that had a more 140bpm focus, what really stood out about their productions was their use of textures. Tracks sounded like they were pumped through this increasingly gritty monochrome, playing out like miniature film scores set to tough, rigid drum patterns. In a sense the duo haven’t really ever tried to change such a striking formula over the releases that have followed, with their low end loaded productions finding homes on labels like Black Box, early Swamp81 and their own Osiris Music UK, but that staunch dedication to style has only really benefitted them at a time when people around them might’ve been writing more with airplay in mind.”
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