Concept & Animation by Dmitry Zakharov.
Music by Nils Frahm – Me (Karsten Lutz Rework).
|REINE represents an approach, a treaty on mental disease of schizophrenia.
The inner part of a patient and not how he is perceived by the world around him.
Art Direction, Modeling, Texturing, Rigging, Animation, Compositing by Pierre Emperador.
Sound: Throwing Snow – Avarice.
Realtime audiovisual performance.
Sound & visual by ITSU & MISAK.
OMOTE: A Realtime Facetracking & Projection Mapping Installation by Nobumichi Asai.
Felix Deimann`s thesis, the experimental animation “Citius, Altius, Fortius” (Latin for “Faster, Higher, Stronger“- the Olympic motto) explores the interplay of abstract shapes and motions.
|How can the substance of motion be visualized. What degree of abstraction allows a communication with the viewer.|
Therefor movements of famous Olympians where digitalised into 3D through motion tracking and rotoscoping of original footage of Olympic competitions. Camera motions and playback speed of the footage were borrowed and the movements of the athletes were recreated frame by frame.
|The specific character of each sport is reflected in the visual language and the illustration of its motions.|
Music by Kreng.
At midnight from the 5th to the 6th of July 2014 Radugadesign opened “New Media Night” festival in Nikola-Lenivets with video mapping show.
The “Universe Mind” architectural piece by Nikolay Polissky, the most sophisticated structure for video mapping, was chosen as the object for the installation. “Murcof” electronic music served as the inspiration for the show.
Music: Murcof – Death of a Forest, Welcome to Versailles.
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Visual Art & Live-Editing by Roland von Tessin.
Music by Fabian M. Mueller, Patrick Zosso, Reto Suhner.
The “320° Licht” installation of URBANSCREEN uses the cathedral-like beauty of the Gasometer Oberhausen as the starting point for a fascinating game with shapes and light.
Within a radius of 320 degrees graphic patterns grow and change on the 100-metre high inside wall of the Gasometer.
The observer experiences the interplay between real and virtual space, in which the Gasometer seems to dissolve into its own, filigree structures and yet finally always reverts to its clear shape.
With approx. 20,000 square meters of area played upon, the installation is among the world’s largest and technically most sophisticated interior projections – interconnecting 21 powerful projectors to one projection screen.
“320° Licht” is part of the exhibition ‘The Appearance of Beauty’ – the variety of beauty in art that is shown inside the Gasometer. The Gasometer Oberhausen opens this exhibition from 11th April until 30th December.