Archive for the ‘Motion Graphic’ Category

REINE by Pierre Emperador

REINE represents an approach, a treaty on mental disease of schizophrenia.
The inner part of a patient and not how he is perceived by the world around him.

Art Direction, Modeling, Texturing, Rigging, Animation, Compositing by Pierre Emperador.
Sound: Throwing Snow – Avarice.

ITSU & MISAK // Transcendence

Realtime audiovisual performance.

Sound & visual by ITSU & MISAK.

Realtime Facetracking & Projection Mapping: OMOTE

OMOTE: A Realtime Facetracking & Projection Mapping Installation by Nobumichi Asai.

Visualized Bird Sounds by Andy Thomas

Australian artist Andy Thomas specializes in creating “audio life forms”: beautiful abstract shapes that react to sounds. In this animated short, he visualizes two recorded bird sounds (Nightingale & Canary) from the archives of the Netherlands Institute for Sound and Vision in Hilversum.

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Citius, Altius, Fortius

Felix Deimann`s thesis, the experimental animation “Citius, Altius, Fortius” (Latin for “Faster, Higher, Stronger“- the Olympic motto) explores the interplay of abstract shapes and motions.

How can the substance of motion be visualized. What degree of abstraction allows a communication with the viewer.

Therefor movements of famous Olympians where digitalised into 3D through motion tracking and rotoscoping of original footage of Olympic competitions. Camera motions and playback speed of the footage were borrowed and the movements of the athletes were recreated frame by frame.

The specific character of each sport is reflected in the visual language and the illustration of its motions.

Music by Kreng.

Universe Mind Video Mapping Show // New Media Night

At midnight from the 5th to the 6th of July 2014 Radugadesign opened “New Media Night” festival in Nikola-Lenivets with video mapping show.

The “Universe Mind” architectural piece by Nikolay Polissky, the most sophisticated structure for video mapping, was chosen as the object for the installation. “Murcof” electronic music served as the inspiration for the show.

Music: Murcof – Death of a Forest, Welcome to Versailles.

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APARTOF // An Audiovisual Live Performance

Visual Art & Live-Editing by Roland von Tessin.

Music by Fabian M. Mueller, Patrick Zosso, Reto Suhner.

Multiuniverse by Tatiana Plakhova

Inspired by the lectures of the physicist Andrei Linde about Inflationary Multiuniverse.

Visuals: Tatiana Plakhova • Music: Boards of Canada “Reach for the Dead”.

☇ Biosphere: Digital Photography by Tatiana Plakhova //

320° Licht // Spatial Experience

The “320° Licht” installation of URBANSCREEN uses the cathedral-like beauty of the Gasometer Oberhausen as the starting point for a fascinating game with shapes and light.

Within a radius of 320 degrees graphic patterns grow and change on the 100-metre high inside wall of the Gasometer.

The observer experiences the interplay between real and virtual space, in which the Gasometer seems to dissolve into its own, filigree structures and yet finally always reverts to its clear shape.

With approx. 20,000 square meters of area played upon, the installation is among the world’s largest and technically most sophisticated interior projections – interconnecting 21 powerful projectors to one projection screen.

“320° Licht” is part of the exhibition ‘The Appearance of Beauty’ – the variety of beauty in art that is shown inside the Gasometer. The Gasometer Oberhausen opens this exhibition from 11th April until 30th December.

Line Segments Space by Kimchi & Chips

Line Segments Space (Projection, Nylon string, Code) by Kimchi & Chips (Mimi Son & Elliot Woods).

Sound Design by Junghoon Pi.

An architectural web of threads subtends a null space. It hangs abstract and undefined, a set of thin positive elements segmenting the dark negative space between. Dynamic imaginary forms are articulated into the physical volume by the material of this thread, and the semi-material of the light. The visual gravity of the filaments occupying the space between.

A 2D canvas is reduced from a surface piece into a line segment, but then constructed into another dimension, a volume. Light creates contrast and order on the lines to articulate digital matter. Digital forms inhabit the interconnected boundaries of space, becoming incarnate as visual mass.

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